The interviews from the Metal DEC lab are now online at the youtube page
The interviews from the Metal DEC lab are now online at the youtube page
This morning we found ourselves talking about activating peer groups and their different modes of organisation. Simon brought in ideas from network theory and if I understand correctly the point – the strength of the weakest links in a network will correlate directly to the effectiveness of the network. Caroline maintained throughout a skeptical viewpoint of the forces involved which act to instrumentalize the role of artists into a capitalist media machine. Disparagingly she quoted Chris Morris’s satirical Shoreditch anti-hero Nathan Barley: “I am a self-facilitating media node.”
From my own perspective I agree that it is important to challenge and reflect upon existing models of collective energy, and work and how this activity becomes constituted, ritualised and institutionalised. What limitations can we place, in the form of an “ethic” or “attitude”, which might prevent or subvert the emergence of patterns of behaviour which we do not want to perpetuate?
In conversation with Metal chair, Jude Kelly yesterday a very intriguing (and perhaps paradoxical) question was posed:
“How can intimacy be scaled?”
These fascinating discussions are, of course, from the privileged perspective of viewing and building a “model” and this activity and speculation must be distinguished and recognised as only one small part of building relationships within the “cultivation” of a peer-group.
An interesting email I read several years ago seemed to posit a counter-view to “network-logic” by thinking in terms of something called “para-nodal” space (the ‘space’ which is not represented on the network map of nodes and their connection). I am going to copy and paste the email below (I’ll send a quick email to the author too – I’ve never followed this idea up really but I think it has had a profound effect on how I think about the relationship between “models” and “life”).
//Updated 12:45 – here is a link to a website for Ulises Mejias //
From: “Ulises A. Mejias” <EMAIL ADDRESS>
Date: 22 April 2008 01:57:01 BDT
Subject: [-empyre-] unwired sustainability
Reply-To: soft_skinned_space <email@example.com>
My apologies for not having posted as actively to this list during my time as moderator this week (technology is partly to blame, but mostly it’s my fault). I want to end by providing my own take on wired sustainability.
I believe networked forms of production, collaboration, activism, and mobilization will be essential to figuring out how to engender more sustainable relationships with the world and with each other. However, in my own work I try to examine the very unsustainability of the network episteme, of this ‘wired’ logic.
Since the distance between two nodes within the same network is zero, and the distance between a node and something outside the network is practically infinite, it follows that a node can only see the world in terms of other nodes. Something that is not a node is, for all practical purposes, invisible. I call this tyranny of nodes “nodocentrism.” Nodocentrism is the assertion that only nodes need to be mapped, explained or accounted for. It is a reductionism that eliminates everything but the reality of the node. Nodocentrism informs a model of progress or development where things not on the network must and should be incorporated in order for them to exist (this is the ideology that informs the discourses of the digital divide, pervasive computing, etc.).
In opposition to nodocentrism I use the concept of paranodality. Contrary to what is represented in network diagrams, the space between nodes is not empty or dead, but very much alive. In fact, this space–the paranodal–acts as the only sustainable site from which we can articulate a subjectivity separate from the network, from which we can unthink the network episteme. The paranodal is, as Ranciere would
say, the part of those who have no part, the site where disagreement, not consensus, takes place (and hence, the locus of the political).
Of course, to unthink the logic of the network is not to pretend the network doesn’t exist, or to refuse to deal with it, but to re-imagine one’s relationship to it. The relationship of the paranode to the network is perhaps like the one of the parasite to the host (and here I’m borrowing from Serres): the parasite inserts itself into the
communication process, between the sender and the receiver, disrupting the communication by being ‘noise’, and forcing the system to adjust to its presence. In this context, the paranode can be described as a parasite of the network, an element that lodges itself between nodes, distorting or introducing noise into the information that passes between nodes, and forcing the network to adjust to its presence.
I guess what I am suggesting is that perhaps sustainability is not wired, but unwired. What is subversive and creative is not the network episteme (wired logic), but the parasitical disruption that can provide a way to think outside the logic of the network, to disidentify from it, and to resist its nodocentric view of the world.
empyre forum firstname.lastname@example.org http://www.subtle.net/empyre
Some reference points:
The point I was making yesterday in discussion with Graham regarding a two-tiered understanding of the nature of law – part “natural” : part “technological” – is largely drawn from my reading of H. L. A. Hart’s late sixties text: “The Concept of Law“. This very accessible book was completely at odds with existing legal orthodoxies at the time of publication (late 60′s) however, today it is widely regarded as a benchmark and primer for undergrad law students. It went to print around the same time as McLuhan’s “Understanding Media” and this may give a clue as to why McLuhan never explicitely discusses law in terms of his conception of “media”, as this idea of law as technology would likely have been outside of his understanding of the term “law” (and indeed the contemporary understanding of the idea of law.)
Regarding some of the pitfalls of operating institutions and projects without agreed structures I would refer to this 1970′s pamphlet “The Tyranny of Structurelessness” which maps the rising feminist movement and how its absolute resistance to replicating prior (male) hierarchies actually sowed the seeds of power for the development of hidden & unspoken elites which limited the movements development.
By the way, continuing the discussion on absolute positions, my thoughts regarding this debate in technological culture have formulated a little since yesterday: I would like simply to state that, from my perspective, it is wholly possible to “drill down” and engage at a deep level with cultures of software and technology without constantly beginning from base elements (silicon, electricity) and core principles (the Enlightenment, Linux OS) and that the constant “hammering” of these particular reference points is in danger of being interpreted as simply the same-old high-culture vs. low-culture snobbery-binarism in disguise.
To try and make this argument I would point to the resonant example of sampling culture in Hip-Hop / DJ music where often artists are not musicians in a traditional sense – they do not use (nor would they know how to use) traditional instruments or notation in constructing their music – instead they work from the available and existing musical culture within which they live, allowing this to “flow through them.” In my experience a similar strategy can be taken to working with existing consumer technologies and that, if this is done with a level of critical awareness, then this approach can actually subvert, rather than replicate, “the system”.
I’m interested to know if other people find this analogy useful?
My final reference to be shared (on a separate subject) was the text I referred to “The Construction of Social Reality” by American philosopher John Searle: In my reading convincing arguements are made here for the material (even biological) consideration of events and factors in the social realm as being objectively “real”. (I have this book in the car.)
This is a blog run by Simon Poulter, arising from artist labs developed with artists and collaborators such as Metal. There will be occasional posts on digitality, curatorial work and art. In particular, you will find archive of a software lab devised in 2011 with Graham Harwood.